Cultural Consumption, March 2017

I’ve been sat on this for ages, not sure why. Better late than never, etc.


First things first: I’m not sure where I’d have been this month without Visible Cloaks’ Reassemblage. I mentioned it as a highlight in my February post, but in March it came into its own. The musical equivalent of a secluded room, cut off from the noisy computer lab, I weathered a number of coursework storms in its peaceful embrace.

Noveller’s expansive A Pink Sunset for No One was my belated introduction to the work of a wicked cool artist, and the thoughtful-but-accessible pop of Lowly’s Heba was perfect for tired ears at the end of the lengthening days. Both served as alternative havens – along with the Disasterpeace (possibly my favourite producer moniker ever) soundtrack to last year’s Hyper Light Drifter.

Perhaps my favourite discovery of the month, though, was K À R Y Y N. ‘Aleppo’ and ‘Binary’, the two parts to her double A-side single dubbed Quanta 1, both hit me hard. And my biggest banger was this Celestial Trax / Orlando Volcano-produced tune that I’ve come across about 6 months late…well, that and last year’s Floorplan album, which seemed perfect to catch up on when the sun came out at the end of the month.

My one live outing was to see Cloud Nothings at The Haunt in Brighton. And it was probably one of the best gigs I’ve ever been to. Much more raucous than I’d anticipated, and all the better for it. It prompted the realisation that their songs, however good on record, are made to be played live. Was also impressed with Nature Channel – the first of the warm up acts. Thought they were very tight.

The usual scrapbook documents whatever of the above I could find on Youtube along with some other bits and pieces there isn’t really space to write about. Enjoy.



Read quite a mix of different things. Yvonne Adhiambo Owuor’s Dust was emotive and strikingly poetic. A little too flowery for me, at first, but I got used to it. A friend lent me Mina Loy’s Insel for my next read, which was also pretty poetic but much more surreal. Not quite like anything I’ve read before, in fact. A woozy and discombobulating character study of a mad German artist in 1930s Paris, that sweeps you up in his uncanny wake.

Julian Barnes’ The Noise of Time was an elegant series of vignettes, offering a fictionalised insight into the troubled reflections of Dmitri Shostakovich. Left me thinking a lot about the relationship between music, or art generally, and politics. (See also this podcast wrt electronic music and political protest.)

To round off the month, I finally read Ivan Illich’s short but illuminating Energy and Equity. A guy doing a PhD in Development Studies had recommended it to me months ago, and it was really excellent. Made most seemingly radical politics look positively conservative. I’ve been meaning to put some notes on it up, but haven’t got round to it. In the meantime, just go and read it yourself – it’s pretty short, and you can access the whole text here.



Hidden Figures was good, with a cool message, but far too dumbed-down Hollywood for my liking. All seemed a bit too nice, a bit too before-the-watershed. Interesting that automation came up again, considering I was thinking so much about it last month.

Got round to watching The Big Short, which was very entertaining, and went to see The Salesman. The latter I thought was outstanding – very real despite its improbability, with a brilliant moral conundrum framing the closing scenes.

I also listened to a load of podcasts – Exponential View, Talking Politics, Line Noise, Trackside – but am just writing a load of rubbish now so will leave it. Ciao.


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